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De Düva is a 1968 Oscar-nominated American short film that parodies the films of Swedish director Ingmar Bergman, including Wild Strawberries and The Seventh Seal. The film borrows heavily from the plot lines of some of Bergman's most famous films. The dialogue, seemingly in Swedish, is actually a Swedish-accented fictional language based on English, German, Latin, and Swedish, with most nouns ending in "ska." The film was nominated for an Oscar for Best Live Action Short Film.

Benjamin dufa is movie about four friends. They love knights and dream to be knights when they grow up. The friends get in trouble with bullies and one of them (Baldur) gets in serious trouble with the bullies and something really sad happens to him.

A tender tale of four boys rapidly coming to terms with school, bullies, friendship and loyalty. Based on the critically acclaimed Icelandic children’s book by Fridrik Erlingsson.

Once on top of the country music industry, a recently released felon struggles to keep his life together, find his legendary guitar and connect with a daughter he has never met.

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Set in the small western town of Curtis Wells, Lonesome Dove: The Series follows first the romance and later the marriage of Newt Call and Hannah Peale, and the obsession that Clay Mosby, who owns most of the town, has with young Hannah, who looks remarkably like his late wife, Mary. In addition to the talented regular Canadian cast of Scott Bairstow, Christianne Hirt, and Eric McCormack, the show also featured the recurring players of Dennis Weaver as legend Buffalo Bill Cody, Diahann Carroll as innkeeper and widow Ida Grayson, Paul Johansson as newspaperman and family member Austin Peale, and Paul Le Mat as Hannah's father and the editor of the local paper.

Set entirely around the perspective of a 1964 Mercury muscle car, Automotive is an American neo-noir about Kansas, a man who must unravel a crime he may or may not have committed.

Displaced by the violence that swept their town, Paloma and Lobo survive trying to love each other. Through thirst, fear and nostalgia, Paloma wishes to go back home but Lobo lives tied to a memory that stops him from returning.

A film team arrives at a more authentic and old square in Madrid to shoot a film. The area is full of children, working families and simple people who see the cinema as something unattainable. From his balcony, Paloma, does not lose detail of the shooting, nor of the movements of the gallant, for which he feels a strong attraction.